Video Tag
Every video tagged “foam fill” in the library — a focused slice of the Halloween archive.
4 videos
Stiltbeast Studios demonstrates a straightforward technique for transforming a flexible Halloween mask into a solid, displayable prop head using expanding foam sealant. The creator fills the mask cavity with the foam, allowing it to cure into a rigid form that holds the mask's shape permanently. The same method is noted to work equally well for filling gloves to create prop hands. This is one of the simplest and most accessible prop-making techniques available to home haunters and attraction builders.
Distortions Unlimited takes viewers behind the scenes on the creation of their giant Kong animatronic gorilla head — a passion project sculpted by Ed Edmunds. The build journey covers every major stage: metal armature construction, clay sculpting, latex skinning, foam filling, and final paint work. Standing approximately 11 feet tall when fully raised, the finished piece features moving eyes, blinking eyelids, a opening/closing mouth, and a side-to-side head turn, all driven by professional-grade pneumatic cylinders. The complete package ships with a control system, audio track, amplifier, fog machine, and simulated lightning lighting effects.
Stiltbeast Studios' Allen Hopps walks through the complete process of creating a latex and foam master inside a mold — useful both for producing additional molds and for creating standalone foam-filled busts. The session was recorded live, so viewer questions are addressed in real time, adding extra instructional depth. Materials used include mask latex and an expanding rigid foam, both sourced from BITY Mold Supply.
Distortions Unlimited takes viewers on a comprehensive 43-minute behind-the-scenes journey through the creation of their Kong animatronic gorilla head — a massive professional-grade figure that stands approximately 11 feet tall when raised. The build is documented from initial metal armature construction through clay sculpting, latex skin application, foam filling, mechanical rigging, and final paint and finishing. Sculpted by company founder Ed Edmunds as a passion project, Kong features articulated mouth, head-turn, and independently moving eyes and eyelids, driven by heavy-duty cylinders. The finished prop ships with a control system, audio track, amplifier, fog machine, and simulated lightning lighting effects.